{"id":311,"date":"2021-10-07T17:48:43","date_gmt":"2021-10-07T17:48:43","guid":{"rendered":"https:\/\/forchino.fr\/?page_id=311"},"modified":"2022-04-12T21:22:52","modified_gmt":"2022-04-12T21:22:52","slug":"la-mirada-negada","status":"publish","type":"page","link":"https:\/\/forchino.fr\/es\/la-mirada-negada\/","title":{"rendered":"La mirada negada"},"content":{"rendered":"

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La mirada negada<\/h1>\n

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La negaci\u00f3n es exclusi\u00f3n y la mirada no aparece aqu\u00ed como una met\u00e1fora del ver, sino como una cuesti\u00f3n del conocer, de considerar lo que es digno de tenerse en cuenta.<\/h3>\n

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Ancianos, enfermos, moribundos, seres desvalidos y vulnerables a los que la sociedad moderna les niega la mirada.<\/h3>\n

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Basta,<\/em><\/strong> 2017<\/h4>\n

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Instalaci\u00f3n a favor de una muerte digna, que plantea el problema \u00e9tico de la legitimidad moral del encarnizamiento terap\u00e9utico.<\/h5>\n

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Instalaci\u00f3n: Guillermo Forchino
\nCinematographer: Arturo Marinho<\/h5>\n

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Naturaleza moribunda
\ncon medias rojas<\/em>,<\/strong> 2008<\/h4>\n

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Viendo pasar el tiempo
\nen el crep\u00fasculo de la vida.<\/h5>\n

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Fiesta en el geri\u00e1trico,<\/em><\/strong> 2008<\/h4>\n

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Presenta a una anciana en la amarga espera
\nde un cumplea\u00f1os que nunca se festejar\u00e1.
\nLa obra expresa la soledad de la vejez
\ny el abandono de los ancianos en los espacios
\ndonde se los confina a morir.<\/h5>\n

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Falcon verde,<\/em><\/strong> 2009<\/h4>\n

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La expresi\u00f3n \u00abFalcon verde\u00bb sigue grabada en la memoria colectiva de los argentinos como s\u00edmbolo del terrorismo de Estado. Esta obra hace referencia al secuestro de personas durante los a\u00f1os de dictadura militar en Argentina.<\/h5>\n

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Escultura: Guillermo Forchino
\nCinematographer: Arturo Marinho<\/h5>\n

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Proceso de destrucci\u00f3n<\/em><\/strong>
\nde la clase media,<\/em><\/strong> 2001-2017<\/h4>\n

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Esta obra-video, met\u00e1fora de la destrucci\u00f3n de la clase media argentina, nos muestra c\u00f3mo unas ratas devoran poco a poco a tres personajes que, imp\u00e1vidos, no reaccionan ante tanta voracidad.<\/h5>\n

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<\/video-js><\/aiovg-video><\/div>[\/vc_column_text][vc_empty_space height=\u00bb30px\u00bb][vc_column_text css=\u00bb.vc_custom_1640055948501{padding-left: 40px !important;}\u00bb]<\/p>\n
Obra-video: Guillermo Forchino
\nEdici\u00f3n: Diego Pittaluga<\/h5>\n

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[vc_row row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb text_align=\u00bbleft\u00bb background_animation=\u00bbnone\u00bb css_animation=\u00bb\u00bb css=\u00bb.vc_custom_1633536477202{padding-top: 100px !important;}\u00bb][vc_column width=\u00bb1\/2″][vc_column_text] La mirada negada [\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text] La negaci\u00f3n es exclusi\u00f3n y la mirada no aparece aqu\u00ed como una met\u00e1fora del ver, sino como una cuesti\u00f3n del conocer, de considerar lo que es digno de tenerse…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-311","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/pages\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":251,"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/pages\/311\/revisions"}],"predecessor-version":[{"id":2504,"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/pages\/311\/revisions\/2504"}],"wp:attachment":[{"href":"https:\/\/forchino.fr\/es\/wp-json\/wp\/v2\/media?parent=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}