{"id":2121,"date":"2021-12-15T19:48:24","date_gmt":"2021-12-15T19:48:24","guid":{"rendered":"https:\/\/forchino.fr\/the-look-denied\/"},"modified":"2022-04-12T21:30:56","modified_gmt":"2022-04-12T21:30:56","slug":"the-look-denied","status":"publish","type":"page","link":"https:\/\/forchino.fr\/en\/the-look-denied\/","title":{"rendered":"The look denied"},"content":{"rendered":"

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The look denied<\/h1>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

To deny is to exclude, and the look does not appear here as a metaphor for seeing, but as a matter of knowing, of deeming what is worth taking into account.<\/h3>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text]<\/p>\n

The old, the sick, the dying, disabled or vulnerable people: so many people that modern society refuses to look at.<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1633530611401{padding-top: 100px !important;}”][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”2003″ img_size=”full” alignment=”center” onclick=”custom_link” qode_css_animation=”” link=”https:\/\/forchino.fr\/en\/basta-artwork\/”][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1633637005498{margin-top: 40px !important;}”][vc_column width=”4\/12″][\/vc_column][vc_column width=”3\/12″][vc_single_image image=”1891″ img_size=”full” onclick=”custom_link” qode_css_animation=”” el_class=”img-cama” link=”https:\/\/forchino.fr\/en\/basta-artwork\/”][\/vc_column][vc_column width=”5\/12″][vc_single_image image=”1892″ img_size=”full” onclick=”custom_link” qode_css_animation=”” el_class=”img-enfermo1″ link=”https:\/\/forchino.fr\/en\/basta-artwork\/”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”3\/12″][\/vc_column_inner][vc_column_inner width=”3\/12″][vc_column_text]<\/p>\n

Basta (\u201cEnough\u201d),<\/em><\/strong> 2017<\/h4>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text]<\/p>\n

Installation in favour of a dignified death, which poses the ethical problem of the moral legitimacy of futile medical care.<\/h5>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/12″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1633637807273{margin-top: 60px !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”10\/12″ css=”.vc_custom_1633637230681{background-color: #f3f1ec !important;}”][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1639096574146{padding-top: 10px !important;padding-right: 50px !important;padding-bottom: 10px !important;padding-left: 50px !important;}”]

<\/video-js><\/aiovg-video><\/div>[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1639602231297{margin-left: 50px !important;}”]<\/p>\n
Installation: Guillermo Forchino
\nCinematographer: Arturo Marinho<\/h5>\n

[\/vc_column_text][vc_empty_space height=”70px”][\/vc_column_inner][vc_column_inner width=”1\/12″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1635794911604{margin-top: 110px !important;background-color: #fafafa !important;}”][vc_column width=”3\/12″][\/vc_column][vc_column width=”6\/12″][vc_empty_space height=”70px”][vc_single_image image=”1893″ img_size=”full” alignment=”center” onclick=”custom_link” qode_css_animation=”” link=”https:\/\/forchino.fr\/en\/moribund-nature-in-red-socks-artwork\/”][vc_empty_space height=”30px”][vc_column_text]<\/p>\n

Moribund nature
\nin red socks,<\/em><\/strong>\u00a02008<\/h4>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text]<\/p>\n

Watching the time go by
\nin the twilight of one\u2019s life.<\/h5>\n

[\/vc_column_text][vc_empty_space height=”60px”][\/vc_column][vc_column width=”3\/12″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1640837679594{background-color: #eae4de !important;}”][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_empty_space height=”80px”][vc_single_image image=”1894″ img_size=”full” alignment=”center” onclick=”custom_link” qode_css_animation=”” link=”https:\/\/forchino.fr\/en\/party-at-the-hospice-artwork\/”][vc_empty_space height=”80px”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1640837758123{background-color: #eae4de !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”6\/12″][vc_empty_space height=”70px”][vc_single_image image=”1895″ img_size=”full” alignment=”center” onclick=”custom_link” qode_css_animation=”” link=”https:\/\/forchino.fr\/en\/party-at-the-hospice-artwork\/”][vc_empty_space height=”60px”][\/vc_column_inner][vc_column_inner width=”5\/12″][vc_empty_space height=”90px”][vc_column_text css=”.vc_custom_1640058281496{padding-left: 40px !important;}”]<\/p>\n

Party at the hospice,<\/em><\/strong> 2008<\/h4>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1639578700244{padding-left: 40px !important;}”]<\/p>\n

Depicts an elderly lady
\nsadly waiting for a birthday
\nthat will never be celebrated.
\nThis work expresses the solitude
\nof old age and the abandonment
\nof elderly people in places
\nwhere they are confined to die.<\/h5>\n

[\/vc_column_text][vc_empty_space height=”250px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1635794966019{background-color: #fafafa !important;}”][vc_column width=”2\/12″][\/vc_column][vc_column width=”8\/12″][vc_empty_space height=”120px”][vc_single_image image=”1898″ img_size=”full” alignment=”center” onclick=”custom_link” qode_css_animation=”” link=”https:\/\/forchino.fr\/en\/falcon-verde-artwork\/”][\/vc_column][vc_column width=”2\/12″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1635794973627{background-color: #fafafa !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” css=”.vc_custom_1633640691132{margin-top: 40px !important;}”][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”5\/12″][vc_column_text css=”.vc_custom_1640058293772{padding-left: 40px !important;}”]<\/p>\n

Falcon verde,<\/em><\/strong> 2009<\/h4>\n

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The expression \u201cFalcon verde\u201d remains engraved in the collective memories of Argentinians as a symbol of State terror.
\nThis piece makes reference to the arbitrary abductions during the years
\nof the military dictatorship in Argentina.<\/h5>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/12″][\/vc_column_inner][vc_column_inner width=”2\/12″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1635794973627{background-color: #fafafa !important;}”][vc_column css=”.vc_custom_1639579006352{margin-top: 80px !important;}”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” css=”.vc_custom_1633640691132{margin-top: 40px !important;}”][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”5\/12″][vc_single_image image=”1896″ img_size=”full” alignment=”right” onclick=”custom_link” qode_css_animation=”” el_class=”img-90″ link=”https:\/\/forchino.fr\/en\/falcon-verde-artwork\/”][\/vc_column_inner][vc_column_inner width=”3\/12″][vc_single_image image=”1897″ img_size=”full” alignment=”right” onclick=”custom_link” qode_css_animation=”” el_class=”img-90″ link=”https:\/\/forchino.fr\/en\/falcon-verde-artwork\/”][\/vc_column_inner][vc_column_inner width=”2\/12″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column css=”.vc_custom_1636112632098{background-color: #fafafa !important;}”][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=””][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”10\/12″ css=”.vc_custom_1639095857529{margin-top: -100px !important;}”][vc_column_text css=”.vc_custom_1649799023706{padding-top: 150px !important;padding-right: 50px !important;padding-bottom: 10px !important;padding-left: 50px !important;}”]

<\/video-js><\/aiovg-video><\/div>[\/vc_column_text][vc_column_text css=”.vc_custom_1639603101646{margin-top: -90px !important;margin-left: 150px !important;}”]<\/p>\n
Sculpture: Guillermo Forchino
\nCinematographer: Arturo Marinho<\/h5>\n

[\/vc_column_text][vc_empty_space height=”70px”][\/vc_column_inner][vc_column_inner width=”1\/12″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1635794982579{background-color: #fafafa !important;}”][vc_column][vc_row_inner row_type=”row” type=”full_width” use_row_as_full_screen_section_slide=”no” text_align=”left” css_animation=”” css=”.vc_custom_1633642017704{padding-top: 40px !important;}”][vc_column_inner width=”1\/12″][\/vc_column_inner][vc_column_inner width=”4\/12″ css=”.vc_custom_1639095797698{margin-top: -150px !important;}”][\/vc_column_inner][vc_column_inner width=”7\/12″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”150px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1636112775175{margin-top: 100px !important;}”][vc_column width=”1\/12″][\/vc_column][vc_column width=”4\/12″][vc_empty_space height=”100px”][vc_column_text css=”.vc_custom_1640058305380{padding-left: 40px !important;}”]<\/p>\n

Process of destruction
\nof the middle class,<\/em><\/strong> 2001-2017<\/h4>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1640093624750{padding-left: 40px !important;}”]<\/p>\n

This video artwork, a metaphor for the destruction of the Argentinian
\nmiddle class, shows us rats slowly devouring three characters who
\nremain impassive, without reacting before such voracity.<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”6\/12″][vc_empty_space height=”20px”][vc_column_text]

<\/video-js><\/aiovg-video><\/div>[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1640058819936{padding-left: 40px !important;}”]<\/p>\n
Artwork-video: Guillermo Forchino
\nVideo editing: Diego Pittaluga<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column width=”1\/3″ css=”.vc_custom_1649798013181{margin-top: 180px !important;background-color: #e3e6e9 !important;}”][vc_empty_space][vc_single_image image=”2479″ img_size=”full” alignment=”right” qode_css_animation=”” el_class=”imagen-rata”][vc_empty_space height=”800px”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1640833002983{margin-top: -60px !important;}”][vc_empty_space height=”800px”][vc_single_image image=”2482″ img_size=”full” alignment=”right” qode_css_animation=”” el_class=”rata-derecha”][vc_empty_space height=”100px”][vc_single_image image=”2485″ img_size=”full” alignment=”right” qode_css_animation=”” el_class=”rata-derecha”][vc_empty_space height=”150px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_empty_space height=”200px”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1633536477202{padding-top: 100px !important;}”][vc_column width=”1\/2″][vc_column_text] The look denied [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text] To deny is to exclude, and the look does not appear here as a metaphor for seeing, but as a matter of knowing, of deeming what is worth taking…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-2121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/comments?post=2121"}],"version-history":[{"count":21,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2121\/revisions"}],"predecessor-version":[{"id":2506,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2121\/revisions\/2506"}],"wp:attachment":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/media?parent=2121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}