{"id":2082,"date":"2021-12-15T15:48:35","date_gmt":"2021-12-15T15:48:35","guid":{"rendered":"https:\/\/forchino.fr\/bio\/"},"modified":"2022-01-13T15:32:35","modified_gmt":"2022-01-13T15:32:35","slug":"bio","status":"publish","type":"page","link":"https:\/\/forchino.fr\/en\/bio\/","title":{"rendered":"BIO"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1635301601117{margin-top: 30px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1>Guillermo Forchino<\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1634662164225{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h5>Argentinian sculptor living and working in Paris.<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>After graduating in Fine Arts from the National University of Rosario, Argentina, he studied conservation and restoration of artworks at the Pantheon-Sorbonne University in Paris.<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>On completion of his studies in France, he returned to Argentina where he set up the first restoration department of the Juan B. Castagnino Fine Arts Museum in the city of Rosario.<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1635301146828{margin-top: 60px !important;}&#8221;][vc_column][vc_single_image image=&#8221;1934&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1634662164225{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h5>After moving back to Paris permanently, between 1985 and 2002 he created a series of character-objects referencing the world of psychiatric hospitals and nursing homes. These pieces, presented in different exhibitions entitled \u00abDesafinados\u00bb (\u201cOut of tune\u201d), express notions that reveal the fragility of the human condition.<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>At the same time, from the 1990s onwards he started producing sculptures in polyurethane resin in a style evocative of comic books, in which the humour and irony are evident. These artworks are produced and distributed worldwide.<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>In 2016, the Roberto Fontanarrosa Cultural Centre in Rosario presented a retrospective of his \u00abComic art\u00bb, under the aegis of the Institut Fran\u00e7ais and the Alliance Fran\u00e7aise in Rosario.<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h5>One year later, the exhibition entitled \u00abLa mirada negada\u00bb (\u201cThe look denied\u201d) dealt with themes such as loneliness, old age, illness &#8211; and, more particularly \u2013 futile medical care, with the installation <em>Basta<\/em> (\u201cEnough\u201d).<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>He then went on to tackle environmental subjects, such as climate disruption and pollution caused by industrial waste and the heaps of plastic thrown into the oceans, which inexorably destroy our natural environment.<\/h5>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<\/p>\n<h5>This resulted in the birth of the series \u00abMe ne frego\u00bb (\u201cI don\u2019t care\u201d), in which the artworks express the absurd indifference of contemporary humans when faced with the current climate crisis, in a clear dichotomy between the gravity of the situation and the ironic humour in the way it is represented.<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;200px&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1635301601117{margin-top: 30px !important;}&#8221;][vc_column][vc_column_text] Guillermo Forchino [\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1634662164225{margin-top: 30px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Argentinian sculptor living and working in Paris. [\/vc_column_text][vc_empty_space height=&#8221;12px&#8221;][vc_column_text] After graduating in Fine Arts from the National University of Rosario, Argentina, he&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2082","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/comments?post=2082"}],"version-history":[{"count":7,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2082\/revisions"}],"predecessor-version":[{"id":2457,"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/pages\/2082\/revisions\/2457"}],"wp:attachment":[{"href":"https:\/\/forchino.fr\/en\/wp-json\/wp\/v2\/media?parent=2082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}